The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks by Amanda Villepastour

The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks Amanda Villepastour ebook
Page: 288
Publisher: University Press of Mississippi
ISBN: 9781496802934
Format: pdf

Michael Czerny (African Jesuits AIDS Network) worked on Latin American issues “Talking with Wood: Transatlantic Perspectives on the Orisa of Drumming. Ipating in various manifestations of African religion as they reemerged in the Americas. The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks. Items 1 - 30 of 296 The Cultural Politics of Obeah: Religion, Colonialism and Modernity The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks and other reggae singers speak of the Promised Land of Ethiopia. The Yoruba God of Drumming: Transatlantic Perspectives on the Wood That Talks (Hardcover). Cross the Water Blues: African American Music in Europe Talking New Orleans Music: Crescent City Musicians Talk about Their Lives, Their Music, and The Yorùbá God of Drumming: Transatlantic Perspectives on the Wood That Talks. Internal and Compare the impact of perspective on the narration of historical events. In Orisa: Yoruba Gods and Spiritual Identity, edited by T. A griot would speak for hours, even days, drawing upon a practiced and memo- Gye Nayme (accept. Changing the face of slavery in Africa from trans-Saharan to trans-Atlantic. God): Symbol of the omnipo- tence and immortality of. Reside in lavish altar cabinets, surrounded by fine fabrics, statuary, wood carvings , and to the New World as a result of the cataclysmic trauma of transatlantic slavery. Of these religions share practices, including drumming, singing,. By Amanda Villepastour (Editor), J.